Unamuno’s Paradox: Jesse Bering on the problem of death.

My friend Rohan drew my attention to some interesting articles at Edge.org: The World Question Center. One article in particular caused Rohan to think about the contradictions involved in our understanding of death and what happens to us after it. Jesse Bering, a psychologist at the University of Arkansas, examines this dilemma, which he has named ”Unamuno’s Paradox” after the Spanish philosopher Miguel de Unamuno. Unamuno wrote Tragic Sense of Life and was tormented with the problem of death. Or, as Bering clarifies, Unamuno was tormented by his own death and what will happen to him death, what will things be like then. Bering summarises this dilemma as:

the materialist understanding that consciousness is snuffed out by death coming into conflict with the human inability to simulate the psychological state of death.

The paradox is this: Say you belong to the minority of human beings alive right now calling themselves “materialists.” If so, you believe that there is no life after death. You believe that after death you have no body, no soul, and no consciousness. Good for you!

If you were to meet Bering, it’s quite possible, just for fun, that he would ask you: “How will you know you are dead when you are dead?”

And you’ll probably answer: “I’ll know because I won’t be around, I won’t exist, there’ll be nothing left of me, zilch.” [I’ve thought this…]

Aha! You have fallen into the trap of Unamuno’s Paradox! You believe you are a materialist, but you have answered as a dualist. Dualists believe that we have two “lives” - the first (during life) is contained in our bodies, the second (after death) is bodiless. In the afterlife we are a soul or a consciousness or something…floating about. If dualists are right about the after life they’ll be able to answer Bering’s question. But, they are wrong, of course.

Now. If materialists are right, which we are, always, of course, if there is no afterlife and if there is no consciousness, then we won’t know, will we, because we won’t a mind, and without a mind, it would be hard to cogitate such things.

There. Problem solved.

Did Epicurus not ease Unamuno’s torment? Epicurus once said (something to the effect of): Death is nothing to us, since when were are here, death is not, and when death has come, we are not!

Hmm. Not very comforting.  

 

 

Meanwhile: Ian McEwan is also there as a materialist and he says:

That this span is brief, that consciousness is an accidental gift of blind processes, makes our existence all the more precious and our responsibilities for it all the more profound.

And Paul Broks offers his own response to Bering’s article, in which he examines his own “Broks’s paradox.”

  

4 Responses to Unamuno’s Paradox: Jesse Bering on the problem of death. »»


Comments

  1. tom
    Comment by tom | 2006/04/17 at 01:13:54Quote

    The McEwan quote seems to me to be a rather clumsy and prolix way of saying: Life is short and therefore to be valued. Which demonstrates my problem with him as an intellectual. He has a great gift for narrative and his books always commence with an interesting premise, but his philosophical thoughts are for the most part commonplace and self-consciously and self-importantly expressed.

  2. Comment by kathryn | 2006/04/17 at 05:53:48Quote

    Tom, do you think that this might be a problem of the medium, of fiction? Is it that narrative cannot, in most cases (?), sustain any “deep” philosophical thinking because, in narratives, things are supposed to “happen” not “be thought about?” Does action, by taking precedence over thought, make intellectual novels only satisfactory in part, and intellectuals when they are novelists appear to address philosophical thoughts only superficially? I know, you’ve made your statement in response to McEwan as “intellectual” not as “novelist”, but I’m just thinking…

    I don’t believe this has to be the case, but maybe it is?

    An example of novel that I believe was able to be equally intellectually stimulating as much as it was able to appease this reader’s need for story is Coetzee’s Elizabeth Costello. But even that was controversial and some reviews I’d read concluded that it was not a “novel” but a series of essays, because the protagonist is a writer who is invited to various conferences etc to speak and she does and tackles all sorts of issues, including animal rights. I disagree with those reviews, because I found the story very dramatic and found the characters, narrative, and the ideas, emotionally compelling.

    But as I write this I can think of other examples of writers who can successfully explore a philosophical premise in fiction - Sartre, Gide, Orwell, Kazantzakis.

    As for modern writers apart from Coetzee, there is Markson, and Kundera, I think, does it very well. I’m not reading as much as I should be…so, um, who else? Maybe we end up going back to what Bradbury said about novels and novelists having meaning ‘back then.’

    Meanwhile - have you read any Kristeva novels? I’m hoping to start on Murder in Byzantium at some point this year. I’m curious to see how this philosopher does fiction.

  3. tom
    Comment by tom | 2006/04/17 at 07:49:42Quote

    No, not read any Kristeva. I’ll put the name on my list. Always happy to be turned on to something new.

    I think novels can embody profound philosophical thoughts without necessarily expressing them overtly. Novels of ideas can also be effective and enjoyable if the ideas are of sufficient merit. Kafka, Kundera, Bellow and Vonnegut etc are original and thought-provoking thinkers. But McEwan isn’t worthy of inclusion in this list, in my opinion. The more he’s encouraged to take himself seriously in this regard the worse his books get for me. He’s been ridiculously overpraised for his ideas; ideas aren’t his strong point - although the conformity (and banality) of his view of society flatters the middle-brow, middle-class reader. He is a good storyteller, however. Novels don’t have to be deep, philosophical texts. Story is a wonderful thing, the flow and engagement of narrative. Empathy through drama, love of character and understanding of others, these aren’t qualities to be denigrated or looked down on.

  4. Comment by kathryn | 2006/04/17 at 23:15:48Quote

    Yes, and I guess that an idea of merit lives or dies depending on the author’s execution of it. And yeah, a good yarn…I’ve just begun reading The Time Traveler’s Wife and I expect that will be a good read. Let me know how you go with Kristeva when you get to her.


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